|
|
| |
|
|
| |
 |
| ART:
Board of Advisors, Sculpture |
|
●
EvAngelos
Frudakis
One of America's most
significant twentieth-century sculptors. "Angelo's" best known works
are his national monuments, The Signer (Independence Hall,
Philadelphia), and The Minuteman (National Guard Building,
Washington D.C. and Arlington, VA—this image is also the official
logo for the U.S. National Guard). His exquisite over-life-size
female nude (see Gallery section of this site) Reaching is
situated in Brookgreen Gardens Sculpture Museum. Other major pieces
are in the Philadelphia Zoo and Civic Center, and his stunning Icarus and Daedalas fountain is in Little Rock, Arkansas
(see Poetry). A
renowned Mentor, he owned and operated an atelier in Philadelphia
for many years and is responsible for teaching many of the finest
sculptors in America, who are now coming of age. Mr. Frudakis’s
portrait sculptures are too many to list, but they include John F.
Kennedy. His numerous awards include the
prestigious Prix de Rome and the Herbert Adam's Award (National
Sculpture Society). Affiliations include: National Academician,
Fellow; American Academy in Rome, Fellow; and National Sculpture
Society. He is listed in Who's Who in America and Who's
Who in the World.
●
Elisabeth Gordon Chandler
Founder of Lyme Academy of Fine Arts (Old Lyme, Connecticut), where she also
chairs the Sculpture Department. Her work is displayed in major
museums, universities and corporations, as well as the aircraft
carrier U.S.S. Forrestal, St. Patrick's Cathedral in New
York City, and the Hall of Fame for Great Americans. She designed
and executed medals for the United States Capitol Historic Society
and the Society of Medalists. Her works have been featured in
multi-dozens of notable exhibits, plus she has received awards too
numerous to list. She remains a major influence in the art world,
with indefatigable energy, huge production of her own art and
unending zeal in teaching others the demanding skills of superb
sculpture. She is listed in Who's Who is America and
Who's Who in the World.
●
Marc Mellon
Well known for portrait busts and statues of great achievers,
sculptures of athletes and dancers and his "Circle of Life" series.
His portrait commissions include former President George Bush, Pope
John Paul II, President Lee Teng-Hui of Taiwan, Winston Churchill,
Kate Smith, award-winning actress Patricia Neal and Nobel Peace
Prize Laureate Elie Wiesel. He has created dance figures honoring
Agnes DeMille and Cynthia Gregory, and his sports bronzes have
honored such luminaries as Michael Jordan, Chris Evert, Joe Namath,
Mickey Mantle and Arthur Ashe; he has also created sports trophies
for the NBA, ABC and CBS. He has received awards from The National
Sculpture Society, Allied Artists of America, The National Arts
Club, The Hudson Valley Art Association and the Salmagundi Club. He
was recently honored with the Brooklyn College Alumni Association’s
Distinguished Achievement Award in the Arts. He serves in leadership
positions of The Artists’ Fellowship, Inc., the Portrait Society of
America and The National Museum of American Illustration.
●
Frederick E. Hart
In memoriam
Was one of America’s highly esteemed sculptors, best known for his
"Three Servicemen" Vietnam Memorial and the entire West Facade of
The National Cathedral, both in Washington, D.C. Hart also held the
patent for developing the method to cast figurative acrylic
sculpture. An outspoken advocate for "art for life's sake," he was
responsible for conceiving ART's Silver Rose as the foundation's
symbol for beauty. His other advisory positions included The
President’s Commission of Fine Arts and Brookgreen Gardens Sculpture
Museum. He was the recipient of the Henry Award (National Sculpture
Society) and the quadrennial Presidential Design Excellence award.
He was an honored member of The Cosmos Club, which elects only the
most outstanding inventors and contributors to the field of science
and other related disciplines. His life ended at the early age of
54, and the loss of his talent to the American art world and to the
culture can only be imagined and lamented.
|
|